hello.column # 3 — The Google Behemouth

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This week Mike and Greg and Aryn chat about the Google behemouth… Are they the innovators we want them to be, or a collage of bad hype in the eyes of the US Govt?… All this plus a few other random bits!!!

Mike: Much has been reported, speculated, and compiled about Google recently. Especially in terms of their in internet censorship with China and its refusal to hand over information to the US. Not sure what to make of it myself besides just soak it in and learn about intellectual property, Patriot Act information gathering, ethics, blah blah.

Should Google agree to censor the information we or have access to? Should the government have access to the information we seek on the internet (even if it might help people learn how to rid us of ?) What middle ground can be found?

What does everyone else think? Email us at to give answers… we will post people’s opinions soonish.

Some more related links:

Greg: Check it- inside Gmail. Just another reminder that Google will soon be ruling the world.

Mike: I’m loving this though… seems to cut out the middleman of AOL or the others… I use chat with excitement. Its how we all are able to stay in touch. I wish other people would embrace this stuff…especially other friends who seem to disappear. It makes periodical phone conversations less awkward. But yes, Google is taking over the world. One online application at a time.

Greg: Oh without a doubt- I will be fully embracing it. Google has been getting some negative press lately, but I think they’re the most innovative company around these days- and we live in an innovate or die sort of world. A company is only as good as it’s most recent innovation. Or lack thereof.

Mike: The bad press is mostly due to the lack or compliance with the US about Patriot Act investigations. I can agree with their decision for privacy rights for users. I dont really fear that there is some alterior motive for them to withhold acess information and control the universe. People are more skeptical about a forward thinking innovative company than they are about their own government who has far more a controlling influence on info. I’m suprised no one has made that clear.

Greg: I was impressed that they decided not to comply with the government’s request. Every couple of weeks I come across an article about various companies starting to worry about google- AOL is probably worried about Google chat. There’s some talk of google developing an operating system. and the king of all Google rumors has to do with developing a free nation wide wireless high speed network. I guess they’ve been buying up fiber optic pipelines.

The thing I really love about Google is that once a week they have their employees spend the entire day working on a personal project of their choice… fleshing out new ideas and the like. I think that’s how they come up with a lot of these great ideas.

By the way, Thanks for adding me on to your discussion about Good topic because I’ve been thinking quite a bit about them lately. Seems like people love them or hate them.

Did you hear on Morning Edition? As usual, hilarious.

Mike: Its on my queue of things to listen to… I’ve been hooked on the Ricky Gervais podcast these days and I have to test some NPR podcasts…it’s about fashion week right?

I think Microsoft is definitly scared of google (and mozilla) and have changed their business emphasis for development. I see companies like Google or Apple or Pixar (before the Disney buyout) or Toyota and wonder why other companies never took the effort to go that extra mile for design and highly integrated features that are actually useful. They just seem to get it while Ford still has to layoff hundreds of thousands of people and close factories because their stupid oil guzzling trucks cost too damn much.

So now it looks like Google has now joined the other K Streeters by in Washington. Thoughts?

Greg: Hmmm. I’d like to know more about what they’ll be lobbying for. If they are doing this to try to counter some of the power of the telecom giants, as the article briefly says, then this has potential to be a good thing. They will probably need help from lobbyists when they roll out free nation wide wireless internet and Time Warner freaks out :) On the other hand- I halfway feel like we’re witnessing the indie band who’s selling out. Clap Your Hands Say Yeah got too much press too fast. Same goes for Arctic Monkeys. Google is a media darling and I see about a half dozen google articles every day with the latest rumor, stock info, dealings with China, etc. In the end, it’s a business, with the priority of making money… more money.

Aryn: I wonder when Google will have officially turned evil… as large companies tend to do.

Mike: Some people already think they have. For example the initial non-compliance with information sharing.

Aryn: And with the china stuff.

Mike: With the new ideas of online applications to rival Microsoft Office, it looks like online harddrives are coming soon. This is a great innovation that will tie people less to a particular compy but a just any compy w\ internet access…if there was ONLY a place to where this so called interweb would be in the airwaves without all those wires…almost like a WIRELESS society… and for free… make is so google!

Aryn: Is that a quote from somewhere?

Mike: It’s all from my rotten brain.

So what did you think? Email us at

Coming up NEXT WEEK: Mike & Greg speculate about 2008 Presidential election and politik.

hello.column #2 — V For Vendetta

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Recently, the film V For Vendetta opened to mixed reviews. Based on a graphic novel by Alan Moore and David Lloyd and helmed by screenwriters\producers the Wachowski Brothers and director James McTeigue, the story is of a dsytopic Britain in the not so distant future rocked out of complacency by a terrorist\freedom fighter named V. Did it live up to the hype? Was it made well? What topics were discussed? Read on…

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Mike: Here are some various reviews: NPR’s Bob Mondello, All Things Considered, Village Voice, NY TIMES and the source of all qualitative reviews condensed into a quantitative figure METACRITIC.

For information about how the comics community and Alan Moore (writer and disillusioned disowner of the original graphic novel) is reacting… check Comic Book Resources. One last (and overly negative) review…juxtaposing the graphic novel w\ the film ComixFan.

Let this be the place to discuss the goings on, the plot points, the references, the cinematic elements, the craft, the writing, the source material etc. Any opinions?

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Mike: So I saw V for Vendetta and frankly, I thoroughly enjoyed it. Reviews across the board are mixed, and even the people I saw it with did not enjoy it that much. Aryn and Sue hinted on the phone that they thought it was weak. So, the question then is, is this all subjective or are their critical parts of the film either in construction or delivery that I am missing. Are the dissenters being overly critical of the film by expecting too much, or are they not looking deep enough? All I can say is that I have read the graphic novel and seen the film so I can say like I always do w\ adaptations to film, that certain things must be adjusted\shortened\tightened\added for a wider audience, for the film-story arc, the flow of the film etc.

LOTR\ Harry Potter\ Spiderman\ Batman\ Sin City and practically EVERY book or television series etc all have all had upset fans of the original work. However, this should not detract people from it. In fact I think seeing the films of these things only brings more interest to seek out the original work to learn a FULLER and more in depth story.

Aryn: My overall reaction about the movie was that it was a bit heavy handed. Normally I like the over the top depiction of social and political ideas when done well but I felt that this one was slightly off the mark. First items that I liked:

1) The blurred lines between terrorist and freedom fighter… I think that all too many times we (America or people in general) lack the perspective of the “other guy,” not to rationalize the senseless killing of innocent people in the name of a cause, its just that sometimes drastic measures have to be taken to institute the proper change that you feel in necessary.

2) The mostly lack of violence in the film. Although there was violence it wasn’t just a slasher comic book type movie.

3) The controversy and debate that has stemmed from this movie’s ideas and thoughts.

There are probably other things that I can’t think of right now. But the first three will suffice. Second items that I didn’t like so much:

1) The lamo “Matrix wannabe” fight scene between V and the cops at the end. I feel like they put this in just because they thought they had to. I think it was unnecessary.

2) The inconsistencies with some of the “rules” of the society. Supposedly it was a very controlled and censured, and if people were raised in this environment there is NO WAY that the tv people/ actors/ producers would go along with making that television show spoofing the president (although it was a pretty hilarious bit). I would see some underground group doing it but not a mainstream station.

3) The explanation for V putting Evey through the torture. I thought it was an interesting way to help her, but he could have come up with a better reason for doing it.

4) Why the heavy push to show the hatred of gays and Muslims. A little obvious I felt.

This movie I could see really enjoying back in high school, but I think the allusions to real current events were a bit heavy handed and long winded, and I began to groan as the movie progressed. So in summation, movie = mediocre. Although I do like Natalie Portman with and without a shaved head in this movie. She kind of looks like shanead o’conner (spelling?)

Mike: Many of your crits are valid…but here is why I think they can be explained in context of the film and the story.

While the fight scene at the end was in the graphic novel, it played differently. This might have to do with the fact that while adapting a story where a single point in time is depicted (in the comic); it lets the reader fill in the blanks. You have to as a comic story teller imply the action and let the reader do the rest. I thought the action was pretty good in the film. It implied the violence without being over the top… and honestly the film at this point NEEDED a confrontation to go over the top there…it was the climax of the film and V’s last stand. He had to go out like a hero in some ways to convince himself he was doing the right thing. In that way, his brutality was necessary to show 1) how far he was willing to go 2) he was a badass fighter.

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The reveal that Evey was tortured by V was one people have stated was cliché. But once again, I think 2 things.

1) This graphic novel was written in 1981 and in turn has been read for 25 years. It has been regarded as one of the most influential graphic novels EVER. So I’m guessing that this type of plot twist rang as redundant and silly because this device is used ALL the time in mainstream film and television. We are always told expect the unexpected as a viewer from the audience.

2) I think story wise, V’s explanation of why he tortured Evey in trying to help her was SUPPOSED to be confusing, blurry and questionable. Remember, V was a terrorist and a freedom fighter. He took the method of violence and unhesitating brutality to shock people out of their complacency. But we are always supposed to question his methods. We are supposed to have the same reaction that Evey did to the surprise because Evey is us, the audience. She guides us through this story.

Of course there are other options V could have used to have the same effect. But that would have been out of character for him. We are never really supposed to trust V or understand everything about him, or know him deeper than what he gives. In that we wonder, was V really trying to help Evey or simply convert her to his side? He is a romantic character and with that he brings out our raw emotions in reaction…anger, hatred, revenge, love, compassion etc.

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The reaction to the television host’s rebellion I think was just supposed to depict that the tide was turning in build up against the British government by the media and the public. This is much like after 9\11 where we and the media were quite nationalistic and outspoken in SUPPORT of our government. Anyone who questioned was seen as against America (remember ‘if you’re not with us you’re against us’?) and it took much time before we could be critical of our leaders’ decisions. Now we can lambaste and make fun etc and the president’s approval rating has plummeted.

Now think in V for Vendetta… they had countless wars and then the massive viral outbreak (albeit one sinisterly concocted by the government to bring the nation together under fear and the miraculous ‘cure’). Afterwards the government cleaned house to rid itself of dissenters (think Guantanamo Bay and all the Arab people held)…no one wanted to rebel out of fear and all these people went underground.

As the tides began to turn under the hope that V’s rebellion would happen, people, like the television host and the media, were finally willing to take part to rebel without fear. They saw cracks in the government by the ineptitude of the bureaucracy. The killing of the host, to me read as the last stand by the government…a desperation Hail Mary to revert control back to their side. But you cannot stop momentum of the ball already in motion that easily.

With Evey’s capture (now known to be a hoax by V) we believe that the government is winning as Evey (the audience) loses hope that the government can be overthrown. We later realize that much time passes with Evey underground as she slowly begins to change her outlook and become stronger. So too are the British people growing stronger to rebel. It all comes to a head on the night of the rebellion.

Aryn: Don’t get me wrong here, I always support films that bring up societal and human happenings into their subject matter, and considering our current political/foriegn people relational state, the parallels between this movie and real life are quite apparent. I just thought that it was flatly pulled off.

There wasnt much happening in the way of editing that jumped out at me, except for during the final fight scene where the camera shot is through the empty chambers of the gun very David Fincher). This film is lumped into the world of 1984 style plot lines– government gets too much control, people are robots, art is the way to show off your “rebelness” and the people in power eventually destroy themselves from their own attempt to control the masses.

It may be that this territory feels so well tread because it was one of the influencers, but the fact that I just saw the movie last Saturday and today (Thursday) not even a week after am struggling to remember scenes, shows (to me at least) why I didnt find the movie that earth shattering/memorable. But I think there is definitly a place for it in the realm of movieland; it’s good that it was made, it’s good that it talks about what it does, it’s good that it got Natalie Portman to show off her perfect head, it had a few good moments, but sadly its just not a good movie. end scene.

Mike: You are going to find this strange, but last night I saw the film again w\ my cousin and her friends b\c 1) I had nothing better to do and 2) I was curious what I thought on repeat viewing considering your feelings that it is unmemorable. Kinda sad, I know.

Though I knew the ins and outs of the plot twists and turns, I felt the film still held up. The pacing seemed to me like it flowed more naturally than I originally thought as it forshadows things early on in both quote, quick cut imagry and mirrored camera shot, that makes the film feel mildly cyclical…that is, all things come full circle. While on first viewing I thought the torture scenes of Evey were vague and overbearing and emotionally hard to watch, this time I saw them in a new light; as being part of the process of developing her character. This is prob because I knew she would end up okay at the end and therefore did not throw me for an emotional wringer.

The film seemed much more hopeful and energetic and while still has a very clear message of what its protagonists feel is right, still leaves you with the impression that its up to the people to decide what to do. Much like the audience is supposed to decide whether they fully agree, disagree or find grey areas. Some people took the film at face value, others did the same but with the acknowledgement that it mirrored our real lives and this was one possible outcome of the path we are on.

Others worried that it might call to arms all the crazies that disagree with government of any kind. The government in the film seemed much more facist than I originally remember so you cannot help but side with V, where before I felt they were a bit closer to being a step or two away from our own American Empire. Anyway, just thought I’d give my last bit of impression before I let this thing die. I thought it was a solid effort.

Plus the Rolling Stones’ song ‘Street Fighting Man‘ from the album Beggar’s Banquet was a great choice for the credits. That song is really great in that mid 60s brit rock (and in hindsight early punk) way. I am going to find that album for the ‘ol rock and roll collection.

Aryn: I will rewatch it and reevaluate some day.. I promise.

Mike: Yeah yeah, we’ll see…

What did you think? Email us at [email protected]

Coming up NEXT WEEK: Mike & Greg chat about the growing behemouth that is Google.

how to ascend to rockstardomwannabe status…

items that need to be accomplished: (in order or importance)

write lyrics.
write songs.
get local recording infrastructure in place ( so we can put things on mobile location)
write lyrics.
write songs.
get mobile recording infrastructure in place (for cross continental collab)
begin collaboration of above said songs which all have pieces residing on big brother
write lyrics.
write songs.
create album/shows worth of material
then acquire chicago players and begin rehearsals ..
acquire live performance opportunities
take over americas, europe, australia and japan
retire.
die.

hello.column #1 — Favourite Music

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The DEBUT column! This week Mike, Aryn and Greg chat about a few bands that they have been heavily listening to and what makes them so great to go back to.

Okay so this is kind of an experiment so bear with us…. Basically we are going to attempt to create a conversation on one particular topic in email discourse and then once a week post as a weekly column. The topic might be a movie, record, television show concert review or recommendation, news, politics, books, favourite albums or films or concerts, the art of a good band name or song title or thought process for lyrics or writing a song…this is different than the blog in that the blog will now outline the processes of making the Hello Come In album…

The first column we talk about a favourite band we have been listening to a lot recently…it could be new or old, mainstream or unheard of or anywhere in the middle and in general, why we like the band, any particular albums, or moods it invokes etc. So here we go, jumping solidly into the fire:

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Mike: A band I seem to not be able to get enough of recently is My Morning Jacket. I think their newest album Z is perhaps my favourite, but mostly b\c I think that was the first one I fell in love with and made me pay attention to them. It’s their first five songs on the album: ‘Wordless Chorus,’ ‘It Beats 4 U,’ ‘Gideon,’ ‘What a Wonderful Man,’ and ‘Off the Record’ that sit just perfectly on the record. Each one has a different feeling and mood but their style just weaves them all together.

What I really like is the use of vintage sounding recording like the reverby vocals and guitars and the old keyboard sounds. It just sounds like a great 70s rock album. The singer Jim James has a great sense of vocal range and falsetto that comes out on top of the dark atmospheric sounds. I love just putting this on my iPod during my walk to the metro on a sunny day. I think in the same way certain cds are great road trip albums, or night driving albums, or party albums, this one pumps me up for starting a crisp fall saturday morning.

Aryn: My music melody preference is currently residing on a mister Andrew Bird. This local chicago player has created an excellent album, one that invokes an uplifting mood that grows with each track. I love the orchestration of this album, it seems to move away from the standard rock sounds and into a more exciting realm.

The whistling melody on the track ‘A Nervous Tic Motion of the Head to the Left,’ gives that almost cattle drive feel as it moves along. Almost every track is memorable in some way… complete with short interludes later on in the album reminding of the previous enjoyments. Fantastic twangy guitars and spindly violin hits pop this thing along. Easily one of my favorite albums of the year.

Greg: I agree that Andrew Bird is really unique- The Mysterious Production of Eggs has a lot of great songs on it, but i always go back to opposite day. there’s something about that song…

I have been getting back into electronic/dance music.In particular, I am in love with the Chemical Brothers new album, Push the Button: ‘The Boxer,’ ‘Hold Tight London,’ and ‘Surface to Air’ are awesome songs!! Although the alternating I to IV progression in ‘Surface to Air always reminds me of ‘Still Haven’t Found What I’m Looking For’ by U2- but ’tis OK.

I love moody electronic music artists like Air, Amon Tobin, and 4 Hero, but normally avoid the more mainstream ones like the Chemical Brothers. I think a lot of their songs are usually kind of gimmicky and somewhat lacking in depth. But this one just caught me for some reason.

Two other tunes that are older but I can’t get out of my head lately: ‘Deathly’ by Aimee Mann and ‘Truck On’ by Simple Kid.

Mike: The thing with Andrew Bird is that he takes all of his classically trained violinist skills and adjusts them towards a more singer\songwriter approach. What a twist: a rock musician who can read music and compose arrangements that arent really doughnut gig simplistic. He takes a page from the George Martin school of pop production and really his violin is not a gimmick here but just the instrument he begins with. In the two songs I saw him perform here at NPR, I knew I had to go back to that record.

I still feel like we missed out seeing him and Sam Prekop double-headline in Chicago. And you know, I can never get enough of Prekop’s post-rock Chicago sound… once again here are a group of musicians that are so different but come together in these strange projects… Tortoise, Jim ORourke, Isotope 217, Wilco, Loose Fur, Jeff Tweedy, Stereolab, Prekop, Sea And Cake etc etc. But you know all this. It definitely has influenced the way I play music.

Aryn: That (missing the concert) was a big screw up. But I had a SECOND opportunity recently that i passed up, where he was playing with Dosh, whom I would also like to see. But alas it wasnt extremely meant to be due to the lack of expendable income, and it being in milwaukee, and me being in Chicago.

Granted not too far of a distance to travel for something amazing, but it just wasnt in the cards. It is always nice to run into new music where talent is something that is praised over just commercial value. I like things that are so good that they force commercial value. Not something that is forced a commercial value because someone puts a shitload of money behind it.

Mike: Its hard to know what to spend your hard-earned dollars on. We are living in a material world, and I definitely spend like Madonna, when i have it to spend. I mean between normal expenses like rent, phone, internet, television… all of a sudden we have this desire for new music. So we go out and buy new music.

Then we are tired of our clothes…so we buy a new pair of jeans or a shirt. Then we go buy some new tv show on dvd, or a book or whatever. Then you are back to being bored w\ music again and you are back to where we started. This is where our money goes…its a trap, but somehting I enjoy because I love absorbing this form of entertainment. Call it short attention span, whatever…

It interesting to see bands like Andrew Bird or MMJ or Clap Your Hands Say Yeah or even the Arcade Fire sprout up, just on the idea that a few years ago, NO ONE would have heard them, or even care. What is also impressive is that they are doing it on their own terms. Even when Death Cab signs with Atlantic, they were already so put together sound-wise that they had the clout to make the album they wanted.

The media is catching on, as are fans who are transitioning them from underground and ‘indie’ to well-known entities. Is it that our tastes have changed dramatically in the last few years or that for once the music that is considered popular from television\movies like Six Feet Under or the OC is actually GOOD pop music?

I think a lot of good music is the popular music for the first time probably since the early stages of grunge when nirvana and pearl jam were ON the radio. We are seeing that a bit with new bands…but really there are so many outlets out there for finding out about music whether its the internet or people at work and so on that its easy to feel like it all came from nowhere.

Aryn: It’s all about the internet. As long as we have a free and open web, bands like that can be found and cultivated, pushing what should be marketed into the realm of the known. I am amazed that the RIAA keeps pouting that pirating is hurting record sales, and all that rubbish, when bands embrace it and use it as a marketing tool end up doing better than trying to stifel it.

But I guess when you have nothing to lose, anything will make you stronger. And as long as bands have their battle helmets on and keep innovating and putting out newer better more interesting things than before, eventually someone will listen. Maybe not the big time record producer, but someone gets to hear it. Thus helping to create the next great band..

Mike: We see it all the time, and there is no dispute but look at the influence the internet has on music and the ability for bands to break. It happend most recently with Clap Your Hands Say Yeah, a fairly mediocre band with a GREAT record. And before they could even catch themselves up as a band to the quality of their record, they hav exploded. It helps that there are hundreds of sites and blogs and online magazines devoted to this, but really if they hadnt put their album online, word of mouth would never have played the role.

Word of mouth worked brilliantly for fringe music in the past, whether it was bootlegs, old jazz broadcasts, Phish tape trading, Wilco putting their rejected Yankee Hotel Foxtrot online before its eventual release, or even Fiona Apple salvaging her twice abandoned, rejected and leaked Extraordinary Machine.

If the RIAA or bands like Metallica really think going against this is good business sense, then they are really chopping off the hand that feeds them. Like anyone BUT metallica fans would want to seek out the newest record, leaked before its release date. Sometimes you got to just accept that if the music is QUALITY for once, it will be heard somewhere.

And that is the point…it will lead to everything else.

So what are you listening to? Email us at [email protected]

Coming up NEXT WEEK: Aryn & Mike wax on about the film V for Vendetta!