Best old song that is new to me

Before I drop my Best Albums of 2006 list later this week, I thought I would share something else… perhaps a new feature: Best OLD song that is NEW to me. I am still amazed when I only recently find out about songs or bands that seemingly everyone has known about forever. So from time to time it might be cool to highlight some of these older things and say why I like them.

In the innaugural segment I figure I will show off my favourite old, but new to me song of 2006: “Age of Consent.” I first heard New Order‘s “Age of Consent” from Power, Corruption & Lies probably two years ago when someone introduced me to the band and dumped a few albums onto my iPod. But I mostly listened to Low-Life and the first cut, “Love Vigilantes” and was perfectly happy. Then earlier this summer I saw a trailer for Sofia Coppola’s new film Marie Antoinette.

[youtube]93yu5ICLaxk[/youtube]

Now Coppola amazed me with her previous two films and the soundtracks she collected so naturally the trailer was going to have more of the same. As the infectiously catchy opening notes and driving beats trickled in set to the images up on screen, you could tell the approach of her period piece drama was going to be a bit different. The film looked to compare the glut and overzealous materialism of 18th century France with the 1980’s party scene.

I knew I had heard this song and this band and even as I sat through the rest of the movie I was ACTUALLY seeing, I was still trying to figure out who this was. When I got home I searched my iPod for all my new wave music. In hindsight, given the title of the song, the album and the band who wrote it, the song worked perfectly to set the energetic tone and theme of the film.

To me there is something cool about rediscovering a song you might have overlooked thanks to someone’s great taste in setting it to the perfect scene in a movie. This song stayed with me the rest of the summer and fall as something of a go to for early morning wake up calls and late night walks home. It is now easily my favourite song by New Order.

Check out this live studio performance from 1984:

[youtube]0VcGJZpfl1c[/youtube]

Some additional observations from this video:

1) Notice lead singer, Bernard Sumner’s guitar f-ups at the beginning, playing a whole step up on the neck. Whoops.

2) Notice said singer’s crooning vocals sliding and dragging behind the beat.

3) Notice cute synth girl in the dress. Somehow attractive even in that 1984 haircut.

4) The good thing about the recent few years of 80s retro fashion\art revival is that we can pick and choose the best from the era and ignore the rest…like singer’s high shorts and previously mentioned bob haircut of synth girl.

5) I want to play this song. The hooks are incredibly catchy.

TV on the Radio…again.

TV on the Radio...best album of the year?As the end of year best-of lists begin to surface from every music rag and blog, I thought I would show a sneak peak of an artist who will surely be near the top of mine: TV on the Radio. As if anyone needed more evidence why this band is so great, and why their latest album, Return to Cookie Mountain, is leaps and bounds one of the best of the year, take a listen to this.

In a rare stripped-down, in-studio performance, TV on the Radio play songs from that record on the Interface a podcast associated with AOL Music’s blog Spinner.com.

“Province” might be one of my favourite songs all year so it’s cool to hear it from a different perspective. It definitely provides insight into their creative process and reveals that beneath all the sonic atmosphere and instrumentations is the nugget of a perfect pop song.

TV on the Radio — Province:

[audio:https://hellocomein.com/soundbox/TV%20On%20The%20Radio_Province.mp3]

TV on the Radio — Young Liars

[audio:https://hellocomein.com/soundbox/TV%20On%20The%20Radio_YoungLiars.mp3]

EDIT: Check out another stripped down performance of TV on the Radio from World Cafe which includes a great reinterpretation of “Wolf Like Me.”

What are your favourite albums of 2006? Weigh in at [email protected]

tomorrow never knows…

When Danger Mouse brilliantly combined Jay-Z’s Black Album with the Beatles’ White Album, it re-opened our eyes in a way to the new artistic possibilities of remixing. And while the phenomenon of the studio ‘mash-up’ did not start with The Grey Album, it certainly brought it to the forefront of mainstream consciousness.

Now The Beatles are the focus of yet another mash up– Love. Instead of getting mixed with hip hop however, they are being remixed with themselves. It is easy to be skeptical when we hear of a project like this due to the constant barrage of Beatles product year in and year out. Is this just another release in same the vein as Star Wars remasters and posthumous Tupac albums?

The Beatles get remixed with themselves on Love.

Well, yes. But, no. You see, the mastermind behind Love is THE Sir George Martin, the genius behind nearly every Beatles album. With assistance from his son, they have created a deconstruction and extrapolation of the Beatles catalog, mashing up and splicing songs within songs. The Martins reconfigure, remix, and reference songs in a way that is unfamiliar, but simultaneously recognizeable.

Case in point: “Get Back” opens with the opening chime of “A Hard Day’s Night” before laying down the drum solo from “The End.” It then crescendos to a cacophonic string collage lifted from the climax of “A Day in the Life” before giving way to the actual “Get Back” song. Within the song though you will also hear tidbits of guitar solo from “The End.”

The tune then seamlessly segues to a middle section of “Glass Onion.” Much in the same way the original “Glass Onion” lyrically references past songs “I am the Walrus” and “Fixing A Hole,” this version alludes to “Hello Goodbye’s” background vocals and horn parts from “Penny Lane” before sliding once again into “Elenor Rigby\ Julia” which borrows ambiance from “Revolution 9.”

There are so many similarly great moments on Love that it would be interesting to spend some time with this record and analyze all the sounds and allusions from song to song. The Martins have lovingly crafted an album of Beatles songs encoded with secrets you cannot help but crack a smile when deciphered.

For more background go HERE.

NPR’s Five For Friday — Jeff Tweedy

Yet another Five For Friday feature went up today.  Take a look.

It’s Just You and Jeff Tweedy on the Road by Michael Katzif

Jeff Tweedy loves red lights! And playing guitar on the road.As the finger-plucked opening notes trickle in, a foggy montage of rainy highways, old storefronts and empty concert halls captures the behind-the-scenes feel of a tour. A rumble of the crowd and a lone fan declares, “Hey Jeff! I love you man!”

It’s these little moments that make Wilco frontman Jeff Tweedy’s new concert film, Sunken Treasure, so engaging — you feel as if you’re on the road with this guitar-playing icon of alt-country. At one point, he even forgets the words to “Shot in the Arm,” then asks the audience to sing along to boost his memory.

Longtime Wilco fans will know most of the music, but both newcomers and diehards get a glimpse at a different side to Tweedy’s prolific songcraft. The stripped down arrangements revitalize old favorites like “In a Future Age” and “Airline To Heaven” and show off Tweedy’s haunted yet charismatic voice. You could argue that watching from home is a far cry from experiencing this great show in person. But this DVD beautifully takes you there — and you don’t have to fight your way out of the parking lot when it’s over.

Michael Katzif, who writes about music for NPR, turned his baby boomer Dad on to Wilco.

hello.profiles: Aryn Crowley

Aryn Crowley is something of an enigma wrapped in a riddle and then delicately wrapped in procuitto. A man of controversial talents and expertises, Aryn has journied across the North Americas finding the little ironies in real life. But past critical response has been varied at best. Lambasted for his misunderstood social art experiments in the heroic community, he was labeled a recluse and a failure of villain-esque proportions. When confronted publicly, he frankly spoke of indifference to the media’s perceptions stating “no one will ever trully know me.” I had the opportunity to sit down with Aryn last night to discuss his body of work, his creative process and even a few past indiscretions.

Mike: So Aryn, tell me. Any new projects on the horizon you want to plug?

Aryn: Yeah, I always have a few things on the burner: a new album, solo tour, group collaboration, massive multiplayer art project, and my own line of cooking salts.


Sounds exciting. Would you say your process of creativity is easier or harder when you have the following discomforts:Aryn opted to conceal his true identity.

hunger?

harder.

sleepiness?

easier

having to poop?

easier

cold?

harder

hot?

harder

thirsty?

easier

itchy?

easier

Interesting…I find the more uncomfortable I am, the rawer the art is.

Very true Mike.

Can’t be too cushy.

That’s why in the winter I keep my heater up at 95 degrees so that my basement can stay nice and steamy. I have small hotplates that I use to get that rain foresty feel by boiling water constantly. Sometimes in the summers I like to import HUGE blocks of ice and chill down my artistic elements. Just to mix things up.

We all like our artistic elements nice and chilled in those summer months. Favourite book?

Repeat: The classic story of Pete and Repete, adapted from the re-run of the made for TV Movie based on the Cinematic version that was loosely based on the Graphic Novel adapted from the novella which was loosly based upon a sketch that Pete made for Repete.

Ooh excellent choice…though its so sad that Pete is forced to relive the last 10 years of his life on auto pilot without getting to change anything. That timequake almost killed his will to live. That is if he had free will. Favourite super power and why?

Favourite super power and why? There was this old super hero who used bathtubs to generate enormous amount of bubbles to fight against the evil bug man who would end up eating the bubbles and dying from diarrhea overdose

Ah yes, The Bathtub Bubbleman. Classic golden age hero.

I love those classic superheros, they have really influenced the next generation’s supers like Astronaut Man, and Cosmonaut Girl.

Do you find that the world is in need of superheroes in these hardened war ravaged suburban days? Or are they just trying to steal our gold?

The Superheroes? Stealing our gold?

Do you or do you not intend on running for SuperPresident in 2008 under the pending Anti-Superhero Act in Congress?

I have though about it. But I have two problems.

Just answer the question.

First, I am not 35. Second, I do not, nor do I intend to have multi-millions of gold dubloons to pay for my campaign.

Are you or were you ever part of the supervillain community?

I have never a part of the supervillian community. Only a spectator, so maybe I have been a small part.

Look, all you have to do is name some names and you will not be prosecuted. Refuse to do so will mean you are guilty. Then, agreeing to do so means you are guilty too.

Um, I am not sure I understand the accusation.

Then you are guilty.

Fair enough.

Come on Mr. Crowley, all you have to do is admit you are a villain intent on running on a smear campaign of space weapon technology platform. You wouldnt lie to the Latin American constituancey who don’t have a fighting chance would you?

Maybe. Check back with me on 2 April 2007.

Okay last question, favourite ice cream flavour?

Ooh. I love Sardine Oreo Cookie Krunch with sweet pickle sauce.

Excellent choice. Well thank you for your time.

Thanks, I enjoyed it.

I am a tough interviewer, no?

Tomorrow, Aryn turns the tables on the equally enigmatic and manic semi-genius, Mike.

Iconoclasts…

Where does inspiration come from? That is mostly the topic of conversation on a new series I discovered on the Sundance Channel called Iconoclasts. Each episode pairs two celebrities to discuss their work and the things that inspired them. It is reminiscent of IFC’s brilliant Dinner For Five but because it is one on one, feels much more intimate. The artists of the episode in question? Filmmaker, Quentin Tarrantino and singer-songwriter, Fiona Apple. Set up in a very casual day in the life of these two geniuses, we catch a glimpse of Tarrantino and Apple’s creative process, psyches and inner psychosis.

What I found fascinating with these two, during their walk and talks through Quentin’s (and Robert Rodriguez‘s) downtown Austin studio, and backstage at Fiona’s preshow soundcheck, was how much these two had in common. Both are often misunderstood and misrepresented, yet loved by a devoted fanbase. But more, they have an incredible expectationfor themselves to create the project they want. They both talk about their roller coaster careers and it seems that both are charged with creativity right now: Tarrantino prepping the upcoming exploitation double-feature, Grind House and Apple touring behind last years brilliant album Extraordinary Machine.

As they spoke freely about their lives and how they find inspiration and deal with external distractions that fame can bring, you can get a sense that these two are not careerists in the traditional sense. While both showed a love for the craft of their fields and an enthusiasm for the place they are in their lives, never do you feel like they go through the motions.

Iconoclasts claims to change your perspective on celebrity, and if the upcoming episodes are anything like this one, it will be an inspiring and insightful snapshot into the mind of visionary auteurs at the height of their careers.

Here is a short clip of the episode I just watched:

[youtube]vBCYiETwyPg[/youtube]

Bread of the Week — Bananarama

This is something I wrote for a friend’s ill-fated music blog Freshly Baked Bread awhile back… the site never took hold, so I never continued with my efforts to make more breads. Oh well…

BananaramaDISCLAIMER: This is not about music. Not really anyway. This might seem like the wrong outlet for a column about bread. But for the sake of occasional variety and for having a site with a need for some sort of content, perhaps it is perfect synchronicity.

With that in mind, I will make it easy with the transition for those who cannot quit cold turkey.

So what is Bread of the Week? It’s a pretty simple concept: every week (or as often as time will allow) I intend to discover and share a new bread recipe. I will then on many cases (probably not every week, but hopefully often) attempt to bake, eat and review such bread. And because this is mostly a music blog, I will attempt to find an artist that best represents my efforts to serve as listening recommendations while elbow deep in flour.

So without further ado, WEEK ONE! This week, I thought I’d go simple and make Banana Bread. Nothing fancy here but seems pretty delicious as the weather grows colder.

Ingredients:

    1 egg
    1 cup sugar
    1\4 cup melted butter
    1 teaspoon vanilla
    3 bananas, mashed
    1 1\2 cups flour
    1 teaspoon baking soda
    1 teaspoon salt
    1\2 cup chopped pecans or walnuts

The ingredients here are fairly straightforward and will no doubt become household items (if they aren’t already) the more and more baking is done.

Directions:

Preheat your oven to 375°. Break egg into mixing bowl. Do not add the shell. In fact, throw it in the trash not the sink because it can mess up your garbage disposal unit. Beat egg slightly. Add sugar, melted butter, and vanilla. Blend bananas and add to egg mixture. Sift together flour, soda, and salt and add to mixture.

Add nuts. I chose not to use nuts because I am not too keen on pecans and am allergic go walnuts. Use at your own discretion here…I don’t want any senseless lawsuits because you didn’t realize you had nut allergies.

Grease up a loaf pan with some sort of shortening or buttery substance for no stick purposes. Bake at 375° in greased loaf pan (4 1/2″ x 9″ x 5″) for 45 minutes or until inserted wooded toothpick comes out clean. Cool and remove from pan.

Slice bread when cooled at desired thickness. Add butter to slice. Put slice in mouth, and chew until bites are small enough in mouth. Then swallow. Enjoy. This makes roughly six to eight servings so choose your favourite six to eight friends wisely for maximum enjoyment.

After some initial joking and second guessing, I ended up downloading a few songs by, you guessed it, Bananarama. Bit of an obvious choice but I thought it would be a good excuse to see what all the hype was about years back.

Turns out this British girl group had other songs beyond the 8th grade dance party staple, “Na Na Hey Hey (Kiss Him Goodbye).” Good thing I am not making pastries because this music is already cavity inducing enough as it is.

Come back next week when we explore the depths of another bread.

Mike is an amateur bread maker, having never baked before in his life. He also writes on music at npr.org and hellocomein.com.

NPR’s Five For Friday — Medeski Scofield Martin & Wood

A new feature on NPR.org debuted today: Five For Friday. It will serve as a preview of many new things deserving of some attention in the world of books, DVDs, video games, movies, music and so on and on. While not as review-ish as other outlets, it’s a quick read of things that might keep you occupied over a long weekend. You know, for KIDS! I have a short review of Medeski Scofield Martin & Wood… check it out here.

Four Jazz Names Are More Fun Than One by

Out Louder

While your friends are listening to pop’s one-name wonders — new CDs by the likes of Diddy and JoJo — try one-upping them. Or make that four-upping them. Medeski, Scofield, Martin and Wood have crafted one of the year’s finer (and most fun) jazz records.

The names belong to jazz guitarist John Scofield and the organ-bass-drums trio of Medeski Martin & Wood (John, Billy & Chris, respectively). Regrouping for the first time since 1997’s groove-heavy A Go Go, they recapture their classic chemistry with plenty of new twists. Out Louder recalls the gritty swamp soul-jazz of late ’60s Blue Note records. But Scofield’s nasty angular guitar work, the band’s slinky rhythms and Medeski’s haunting Hammond B3 and Wurlitzer keyboards push the group into more experimental territory. Jazz novices, do not be afraid. The record never becomes unlistenable. Call it avant garage-jazz, and enjoy it. One standout: a great New Orleans shuffle reinterpretation of Peter Tosh’s “Legalize It.”

The collective is touring this fall: check out their Web sites mmw.net and johnscofield.com.

Michael Katzif is the keeper of all things podcast at NPR. A guitarist, he frequently plays his own version of garage jazz, or would if he still had a garage.