For the last few years, the task of making a Best Music list has become a trickier prospect. I’m notionally open to listen to anything; I like to dabble in other people’s recommendations, try to hear what they’re hearing or find merit or craft in things that aren’t for me. But by December, it’s difficult to narrow down to a list that encompasses juggernaut pop stars, mid-career veterans, and relative unknowns. All can be great, and all deserve some accolades. But they’re operating with different goals and aiming for different audiences.