Here’s a piece on The Clientele’s “Winter On Victoria Street,” from its album God Save The Clientele, for NPR’s Song of the Day. Go here to listen.
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Here’s a short piece on Black Moth Super Rainbow’s trippy “Sun Lips” from its album Dandelion Gum for NPR’s Song of the Day essay. Click here to listen to the song.
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Here’s a piece on Charlotte Gainsbourg’s song “The Operation” from her album 5:55 for NPR’s Song of the Day. Go here to listen to the song.
Continue reading NPR Song Of The Day: Charlotte Gainsbourg, ‘The Operation’
Wrote a short piece on Blonde Redhead’s new song “Dr. Strangeluv” from its new album 23 for NPR’s Song of the Day. Listen to the song here.
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I recently saw Jesse Sykes And The Sweet Hereafter’s open a great set before Sparklehorse in Baltimore. Here’s a short write-up about her song “The Air Is Thin” from her album Like, Love, Lust & The Open Halls of the Soul, for NPR’s Song of the Day. To listen to the song go here.
Continue reading NPR Song Of The Day: Jesse Sykes And The Sweet Hereafter, ‘The Air Is Thin’
Here’s another piece for NPR’s Song of the Day, this one on The Bad Plus’ “Giant” from its album Prog. Read the essay and hear the song here.
I wrote a review of Papercuts’ song “Unavailable” from his album Can’t Go Back for NPR’s Song of the Day. Hear the song and read the piece here.
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I’ve long been a fan of Ry Cooder and his extremely versatile and inventive, shape-shifting approach to guitar. Here’s a short thing on “Cardboard Avenue,” a song from one of his latest projects, My Name Is Buddy, for NPR’s Song of the Day. Read the essay and take a listen to the song here.
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Here’s a piece on on The Besnard Lakes’ “Disaster” from its album, The Besnard Lakes Are the Dark Horse, for NPR’s Song of the Day. To listen to the song and read the essay go here.
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Once again, here’s a short piece about The Sea And Cake’s song “Crossing Line,” from its new album Everybody, for NPR’s Song of the Day. Read the essay and listen to the song here.
Continue reading NPR Song Of The Day: The Sea And Cake, ‘Crossing Line’