Album Art Trend: Circles

Even in the age of digital music, I still enjoy looking at album artwork. I love finding trends and similarities between designs and photographs and typography. Lately, I’ve been noticing a trend of circles. Here are a few from 2012 I’ve come across. What did I miss?

Now Now — Threads

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Ty Segall & White Fence — Hair

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Jens Lekman — I Know What Love Isn’t

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Grass Widow — Internal Logic

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Imperial Teen — Feel The Sound

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Jason Urick — I Love You

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Lilacs And Champagne — s/t

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Simian Mobile Disco — Unpatterns

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Rufus Wainwright — Out Of The Game

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Edward Sharpe & The Magnetic Zeros — Here

Fiona Apple Returns And Continues To Surprise

It’s been seven years since we last heard new music from the elusive and enigmatic Fiona Apple. Now with her latest, The Idler Wheel Is Wiser Than The Driver Of The Screw, And Whipping Cords Will Serve You More Than Ropes Will Ever Do, that wait is over. And I’m glad to say that Apple continues to surprise with a record full of excellent songwriting and excellent percussion sounds from drummer and co-producer Charley Drayton.

Continue reading Fiona Apple Returns And Continues To Surprise

Old Things That Are New To Me: ‘O Superman’

We all come to music differently, but it never ceases to amaze me when I discover an artist from an unlikely source. I had been hearing this voice in a television commercial for weeks before I finally decided to check it out. It was just a tiny snippet of a song in some smart phone commercial in frequent rotation during baseball games played on MLB.tv — and if you’ve ever watched live sports on the web, you tend to notice they play the same spots over and over. It has a way of getting inside your head.

That voice was hauntingly cold, filtered through a vocoder, and the robotically looped “ha”‘s sounded familiar, but I couldn’t place it.

Finally I pulled out my phone, fired up the ol Shazam app, expecting to discover it was a brand new synth pop band, who licensed its music for this ad. Maybe it was The Books. Or maybe it was a new song from Imogen Heap, the singer best known for employing a similar vocoder sound on her hit “Hide and Seek.”

Instead, it was an old song: Laurie Anderson’s “O Superman (For Massenet),” a minimalist half-sung, half-spoken word 8-minute single from her 1981 record Big Science.

Needless to say, it was a jolt: Here was this groundbreaking, but not-so-user friendly 30-year-old piece of electronic music — based on the aria “Ô Souverain, ô juge, ô père” (O Sovereign, O Judge, O Father) from Jules Massenet’s 1885 opera Le Cid — that felt so vibrant and completely of this time. There’s something almost subversive about the ad’s use of this song, especially as the lyrics philosophize about our relationships to technology and on the nature of communication.

It’s a little embarrassing to admit I didn’t know the song, nor Laurie Anderson’s music much at all. I’ve read about her in passing when reading about other artists from the same time, but her exploratory and idiosyncratic music always seemed so daunting. Like so many experimental or challenging artists, it can hard to know where to start, and easy to put off diving in. And yet, here I was connecting to this artist through a phone commercial no less. Still, thanks to that advertisement, I felt encouraged to start addressing a blind spot. That’s sometimes all you can ask for from a commercial.

Kishi Bashi, ‘Manchester’

Kishi Bashi is one of my favorite new discoveries I’ve had while binging on music in anticipation of this year’s SXSW, I first heard Kishi Bashi on this week’s All Songs Considered, playing “Bright Whites” on his latest album 151a.

Here he is in a gorgeously shot video from Holy Cow Films playing “Manchester” off the same record.

KISHI BASHI \\ MANCHESTER LIVE \\ OFFICIAL VIDEO from HOLY COW FILMS on Vimeo.

Bruce Springsteen, ‘We Take Care Of Our Own’

In case there was ever a) confusion about what Bruce is singing or singing about; or b) a desire to see him jam out on rooftops and in what looks to be an abandoned industrial meat freezer, Bruce Springsteen has released a video (annotated with lyrics) for his single “We Take Care Of Our Own.” As a call to arms for the United States to band together and help out the unemployed and the homeless, it was easy to envision this song becoming a big time campaign song for Obama’s re-election efforts — it’s this year’s “The Rising.” Sure enough, this anthem is part of the just-released Obama 2012 playlist. The song will be on Springsteen’s upcoming record Wrecking Ball. It will predictably have some rockers and some wistful ballads about forgotten towns in the Rust Belt.

Morning Commute Music Shuffle: 8 Feb 2012

A slightly abridged version of the songs that came up on shuffle on my iPod during my morning commute. A few I skipped over, but otherwise, here it is.

1) ARCADE FIRE, “Lenin” from Dark Was The Night

2) THE NATIONAL, “Lit Up” from Alligator

3) THE BEATLES, “Because” from Love

4) RADIOHEAD, “Idioteque” from Kid A

5) GROUNDTRUTHER, “Jupiter Mask” from Longitude

6) TOM WAITS, “Baby Gonna Leave Me” from Real Gone

7) MY BLOODY VALENTINE, “Nothing Much To Loose” from Isn’t Anything

8) XTC, “Knuckle Down” from English Settlement

9) THE PIXIES, “Something Against You” from Surfer Rosa

10) THE BAD PLUS, “Radio Cure” from For All I Care

11) BEE GEES, “Whisper Whisper” from Odessa

12) FIONA APPLE, “To Your Love” from When the Pawn…

13) KANYE WEST, “Get Em’ High” from The College Dropout

14) ISOTOPE 217, “Audio Boxing” from The Unstable Molecule

15) THE FLAMING LIPS, “Waiting For Superman” from The Soft Bulletin

Favorite Album Art Of 2011

I spend a lot of time listening to music throughout the year, making my lists of favorite records, the best songs and so on and on. But in the process I cannot help but look at and think about the album artwork and how that accompanies this music. Increasingly, in this digital age, album art is relegated often to postage stamp-sized icons on our screens and iPhones, already downsizing from the pretty small size of CDs. Maybe people do not think about album covers as much, yet I still love to stare over them like I did as a kid. And I still tend to buy albums in LP format because I like seeing that cover nice and big.

In lieu of a best albums of the year list, I decided to curate this list of my favorite album covers of the year. Below is but a sampling of some of the excellent artwork from 2011, some of which point to a few of the thematic trends in imagery, typography, illustration and intricacy.

Wilco, Live At The Vic

I had the opportunity to fly to Chicago last week to catch Wilco at The Vic Theatre, the third night of a five-night run in Chicago. What made this run special was the fact that each night was a different venue, at increasingly smaller venues: Civic Opera House, Rivieria Theatre, Vic Theatre, Metro and ending Sunday night at Lincoln Hall. It was a very cool week of hometown shows that spread the love of each venue that made each night different and a treat for fans.

The only real repeated songs were tunes off the new album The Whole Love. Otherwise, our show was filled with older songs (“The Lonely 1”), rarer songs (“A Magazine Called Sunset”) and lots of great stuff from A Ghost Is Born and Being There. A few of the other highlights were “Radio Cure,” “Art of Almost,” “One Sunday Morning,” and “At Least That’s What You Said.” You can see a full set list here.

Here’s a video of the night’s second song “Hell Is Chrome.”