helloGreg – Page 2 – HELLO COME IN

2007 Roundup: Greg’s Favorite Nine of the Year

My top nine albums/music of the year. I would have picked ten, but most everything else was background noise and singles to me in comparison to the following. Any year that Radiohead puts out an album is a great year in music, in my opinion, but there was a ton of great music to flesh out the year. And we also saw the cracks appear in the RIAA, with the demise of DRM coming our way. Cheers to 2007!

1/2/3:
Radiohead, In Rainbows: Despite all the business shiite surrounding this album, there is no denying that the music is absolutely supurb with several moments of perfection. Lots and lots and lots of Thom Yorke falsetto on display here, with plenty of the classic Radiohead organic electro pulses and textures that we love. If you haven’t checked them out, take a peek at the webcast concerts Radiohead did from their studio shortly after the album was released. Not only are the performances great, but the videos have a strange way of humanizing the band and contributing to their mystery at the same time.

Andrew Bird, Armchair Apocrypha: Listenable, fun, completely unique, and with perhaps the best lyrics of anyone right now. Is he a gimmick? No more so than any other indie artist out there these days, in my opinion. And unlike mosts of the artists even on this list (with the exception of FOC), his lyrics are inventive and memorable. His live show was a lush mashing solo just-in-time loops that I loved every second of. He’s the hardest working artist that I saw the entire year

Arcade Fire, Neon Bible: Intense album full of rich, lush layers that kept me entertained all year long. Energetic beyond belief live. When I first heard the leaked track containing a powerful organ WAY to high in the mix, I was concerned this was going to be a bad effort, but I loved this album more than Funeral. The show at Starlight was quite possibly the loudest concert I have ever been to, mostly due to LCD Soundsystem, but it was incredible!

4: Flight of the Conchords, music from the show: Reliving lyrics and moments from this show proviided an endless source of good times for me this year. I still randomly get “Brown Paper, White Paper, Stick it together with the tape, the tape of love….” stuck in my head on a weekly basis. Part time Model, Business Time. Not only is it fucking hilarious, but also made me realize how truly strange David Bowie and Serge Gainsbourg were. Not to mention Mel.

5: Peter Bjorn & John, Writer’s Block: Already sounding a bit tired, and used in too many adverts, but it was one of my favorites. Objects of My Affection, Start to Melt, Young Folks, Amsterdam, Roll the Credits, were all on my most played list all year.

6: The Frames, The Cost: I think this is technically a 2006 album, but I discovered it this year with everyone else who saw Once. Nothing really groundbreaking, but great songs with an incredibly powerful, if not sometimes too powerful, lead singer. Occasionally I wince with sentimentality, but this album is perfect when I’m in the mood for it.

7: Shins, Wincing the Night Away: A few great songs on this album, and the album that really got me hooked on the Shins. I never quite understood why everyone loved these guys so much, but after seeing live at a two night stint in Lawrence, listening to the new album over and over, I came to appreciate the older albums as well. An acquired taste for me, but one of best bands out there right now.

8: Jose Gonzalez, In Our Nature: I discovered this great singer-songwriter through the All-Songs live show podcast and was sucked in by his nylon guitar layers and ultra-mellow voice. This is great late night music, and his cover of Teardrop made me rediscover my high school love of Massive Attack.

9: Dan Deacon, music from his MySpace page and Youtube: I never managed to listen to his full album, despite it residing on his ipod, but there were a few weeks where I returned daily to his Youtube and MySpace content. I’m not sure what to think of this guy, but his songs are incredibly strange and enjoyable.

November 2007 EP: Hello Come In, ‘We Are Full Of Useful Noise’

Hello Come In's Nov 2007 EP, We Are Full Of Useful Noise

Month eleven is officially over, and we’re back with the second to last mini-EP: We Are Full Of Useful Noise. We’re particularly happy with how the first track, “Wars Keep Going On,” turned out. Due to some obscure November holiday, we all managed to be in the same place at the same time one weekend and spent a few hours hammering out the song framework in person. From there, we went back to our corners of the globe and added parts in our typical virtual manner. It was nice to finally finish a song we all actually worked on!

Take a listen for yourself here. Or right click here to DOWNLOAD the entire album.

You can always take us with you via the podcast. And of course there is MySpace and our brand new Facebook Group.

And most important… leave comments on the blog or via email at [email protected]. Enjoy!!

Tracklist:

1. Wars Keep Going On (Katzif/Crowley/Johnson)
2. 12th Century Russian Literature Makes for Good Bedtime Stories (Crowley)
3. We Are Abandoned In The Towns Our Fathers Built (Katzif)

—-

It was around this time two years ago that Aryn and I began hunkering down to come up with a website to feature our music. Initially it was just going to be a typical band website to archive all this stuff we had done in years past. Then we realized that we didn’t live in the same city, so our output dried up. Year one of Hello Come In was sort of ambiguous and undefined, filled with failed collaborative experiments (Hello.Column etc.). However, sporadic as it was at that point, Aryn, Greg and I had begun tinkering with making music on our computers, creating home recordings and such.

So it was around this time last year that the three of us started laying the ground work for our year long EP project. Looking back, it was ambitious to strive for 12 months of straight music creation, especially when all three of us lived in three different cities. It took a bit of time to logistically and technically figure things out (thank god for high speed internet and kick ass music software). But once we knew we were able to artistically develop new material and eventually hit those deadlines a few months in a row, we then began to think “Okay, now what?”

In the back of our heads though, I know we really were hoping for full group collaboration. Often working in a bubble, left to our own devices, our music did not always sound unified or really as one voice, let alone complete. But month by month, this open piloting and exposure of unfinished material — both to the other two of us, or to the few people following along at home (dozens I’m told…dozens!) — became easier; the criticism, suggestions and contributions more constructive.

So I am not exaggerating in the slightest when I say that the highlight for me this month is Wars Keep Going On, a song that all three of us had near-equal input on. Gathering for about ninety minutes one afternoon over Thanksgiving with only a simple chord progression chicken scratched out a few hours ahead of time on the back of a grocery list, we got to work. I think we hit on something good.

In many cases we found the proximity this time around extremely helpful in crafting a song that I by myself would’ve labored over a lot longer, just by playing it out for Greg and Aryn and talking about it. You sort of catch onto the momentum and creativity of the others and just run with it. This is certainly not the first time we’ve had that experience..hell we played countless amounts of gigs together dating back to highschool, so familiarity here is also key.

But the end results I think might be our most complete work. While it’s not the most complex, experimental or even all that original in the larger historical scheme of music (given a paltry 6.8 by Pitchfork), but it might be the most representative of what the three of us can do at this time. It’s also perhaps a tiny glimpse of what we could do if we were able to play in person on a regular basis.

We still have one last month left in our year of EPs, plus a few upcoming ideas for future projects in 2008, but I have to say, it’s rewarding to finally hit a creative goal that we set and know that this is just another new beginning. It only took us 11 damn months to do it.

— Mike, Nov. 2007

—-

Past EP’s

Temporary Setback :: January 2007
Clouded Spaces, Falling Skies :: February 2007
First Pull Up, Second Pull Down, Third Take Away :: March 2007
Ancient Telephones :: April 2007
The Cavalry Arrived Again :: May 2007
Designed In Anticipation Of His Centennial Years :: June 2007
The Rundown :: July 2007
The Ninth Great Fire :: August 2007
Empty Bottles And Dog-Eared Books :: September 2007
I Can Fix Things In The Morning :: October 2007
We Are Full Of Useful Noise :: November 2007
The Last Duel :: December 2007

October 2007 EP: Hello Come In, ‘I Can Fix Things In The Morning’

Hello Come In's Oct. EP, I Can Fix Things In The Morning

Goodbye October, we had fun. The trees appear to be dying, but we’re back with another edition of fall musics for you. Amongst a few remixes on I Can Fix Things In The Morning is an original from Mike and triple-threat 30-minute exercises from Aryn. I electro-fied Mike’s “No Reason” during a long stretch of road in western Kansas, and Robin Hilton of NPR fame makes a welcomed guest appearance with his take on “The Imitators.”

Judge the result for yourself here. Or right click here to DOWNLOAD the entire album.

You can always take us with you via the podcast. And of course there is MySpace. And most important… leave comments on the blog or via email at [email protected]. Enjoy!!

Tracklist:

1. No Reason (Greg Remix) (Katzif/Johnson)
2. Autographs (Katzif)
3. Trilogy (Crowley)
4. Craptastic (Crowley)
5. Mr. Prolific (Crowley)
6. Ocean Of Noise (Arcade Fire/Katzif)
7. The Imitators (Katzif/Hilton)

—-

Two months left. I think we sometimes feel tied to this thing. Are we creating music because we want to or because we’ve manufactured a deadline? It seems like when I sit down to record music the past few months, I have the thought of “Got to get something together for this month’s ep” in my head. In some ways, that’s the point. If we don’t have something pushing us to push out the music, we won’t do it. We live busy lives, and music is usually the first thing to take a back seat. But has it lost it’s purpose if we’re creating the music to meet the monthly deadline? Originally the goal was to keep a record of our monthly happenings- however unfinished, unmixed, unmastered, out of tune, out of beat, etc.

But, as we’ve moved farther along each month, I think we’ve lost track a bit of that goal. We’re not so much using the ep as a journal, but as a presentation. And I’ve found that my motivation has dipped as my focus has transitioned from recording for us to recording for the ep, recording for others. If I’m creating music for myself, I really could care less if something is listenable and catchy. If I’m recording for myself, the song can be as repetitive and formulaic as my ears can handle. But recording for the EP forces you to think from the listener’s perspective. “Damn, this progression is the same as intro to Black Mirror…” Thoughts like that usually put the brakes on the creative train. A riff that may have otherwise evolved into a full song is halted because I’m afraid someone might tell me I ripped off an Arcade Fire song.

OK, this is all true. But, when I stop and think about it, do I really care if someone regards what I wrote is lame? Not really… if I like the glockenspiel melody I wrote, then the rest doesn’t matter; I still devoted time to music. And that’s more than I do when I’m caught up worrying about a deadline.

So what is my goal for the last two months? My goal is to come full circle, to remind myself of the original intent of the ep project- to keep track of our music, not to force it out.

— Greg, October 2007

—–

Past EP’s

September 2007 EP: Hello Come In, ‘Empty Bottles And Dog-Eared Books’

Hello Come In's Sept. EP, Empty Bottles And Dog-Eared Books

Yet again, we present to you hot of the internet presses the latest edition of helloEP: Empty Bottles And Dog-Eared Books.

We’re offering three songs this month. “Made In The USA” starts things off as an instrumental pop thing. Look for this one to re-appear in the near future with full fledged lyrics. Mike’s song, “No Reason,” started life as an organ synth experiment and ended up as a lament for childhood memories piled in a closet- too good to give away. And in some ways, Aryn’s crazy “Digital Interlude” is one of those memories, pulled off of his college hard drive for a fresh listen.

Enough of this talking. Take a peek at the music here. Or right click here to DOWNLOAD the entire album.

Or cut the cord by taking in the podcast. Or compete with facebook by giving the MySpace page some traffic. And most important… leave comments on the blog or via email at [email protected].

Tracklist:

1. Made In The USA (Johnson)
2. No Reason (Katzif)
3. Digital Interlude (Crowley)

—–

It seems like things work out better in threes. It’s that extra person that can help get over the hump if the other two are stuck. This is one of those months where we win again due to being three. It’s been a crazy month for me work wise, and fortunately we had two other people to step it up and find time to collaborate and get some new songs done.

The challenge of releasing an EP every month for a year would be a daunting task for one, even two people, but with three even if the other two people are MIA for that month we have one fall back to get it done. And the beauty is that fall back can even rotate every month. But hey regardless we’ve done it again, 9 out of 12. Already three quarters of the way through the year on this project, with only 3 more to go…

— Aryn, September 2007

—–

Past EP’s

hello.music — No Reason (At All)

hello.music Not a whole lot has changed since I put the song down a few weeks ago to focus on last month’s EP. But posting it again will provide a space to discuss what I have in mind going forward.

After hearing two songs by 90s Britpop group The Stone Roses, I was inspired to figure out how to record tracks that would be played in reverse in the mix. Reversing tracks is by far nothing new in recorded music with electronic composers, tape loop specialists and producers like George Martin and John Leckie having done it for at least five decades. So while I never found evidence to verify my listening, the song “Don’t Stop” on their first record seems to be an instrumental reversal of the previous song “Waterfall.”

It is also not the first time I have played around with it, but it just took me until now to learn how to do it in the software I’ve been using. Turns out, unlike the days of splicing and seamlessly assembling analog tape, in Live its pretty damned easy…embarrassingly so.

You will hear some backwards playing tracks in the background here and also some incidental guitar noise. Still lots of work on it, but here is where I left it last night.

No Reason (At All) v2b

[audio:https://hellocomein.com/soundbox/hellomusic_mike/NoReasonAtAll_v2b.mp3]

UPDATE 9\25: I’ve done some more mixing and retracked some guitars that were rushed and out of sync. Still want to rethink the piano part in the middle, add some drums and vocals as well. Anyone know a good female singer with a wispy voice?

No Reason (At All) v2d
[audio:https://hellocomein.com/soundbox/hellomusic_mike/NoReasonAtAll_v2d.mp3]

UPDATE FROM GREG 9\26: Here is some work I’ve been doing on this tune… mostly just brainstorming, but maybe there are some tidbits that can be incorporated into the final track:

March version.
[audio:https://hellocomein.com/soundbox/hellomusic_greg/No_Reason_drums_v1.mp3]
March Version with vocal melody and way too much ear piercing distortion- be careful!!!
[audio:https://hellocomein.com/soundbox/hellomusic_greg/No_Reason_drums_v2.mp3]
Electro version.
[audio:https://hellocomein.com/soundbox/hellomusic_greg/No_Reason_Electro.mp3]

August 2007 EP: Hello Come In, ‘The Ninth Great Fire’

Hello Come In's Aug EP, The Ninth Great Fire

It’s that time once again for another installment of helloEP. Our short but sweet August rendition is entitled The Ninth Great Fire.

Only two songs? Yep — our offering is small this month as we hunkered down leaning some new software (Live and Reason) and spent the rest of the time frying our pale skin in summer activities. As we head towards the hibernatory months, you should see more songs as we reenter our basement studio dens. Personally, I spent some time figuring out how to use Ableton Live for beat programming on Mike’s title track.

So put away those cigarettes and take a music break instead here. Or right click here to DOWNLOAD the entire album.

Or take it with you on your subway ride with the podcast. Or be cool like the college kids at MySpace. And most important… leave comments on the blog or via email at [email protected].

Tracklist:

1. The Ninth Great Fire (Katzif/Johnson)
2. War Of The Crickets (Crowley)

—–

Between juggling real life and jobs, finding time for music takes just as much planning as anything…especially when trying to learn new toys to add to the process. August saw the three of us expand getting new software like learning some basics on the amazing and complicated synth modeler Reason or trying something completely new like Greg learning to program beats with Ableton Live. Oh yeah, and I finally was reunited with my long lost pal, my Fender Rhodes after a two year trial separation. How I missed you.

Sometimes in music these new toys can be as much of a hindrance as they are helpful and inspiring…especially at first. They can open up countless new options and conjur ten new songs or they can bring you back to square one. One step forward, two steps back.

Years back when I first started picking up new instruments, I remember how frustrating it was to have all this previous knowledge but having to start at the beginning with memorizing fingerings or new clefs. Adopting a new program like Live or Reason (or any other software for that matter) is just the same…trying to learn what it can do, how you can use it easily and how it relates to all the other pieces you have in place.

Unfortunately no matter how many new guitars, glockenspiels or high-tech gadgets you add, you still have to have a song to write. People tend to forget that step, or at least overlook it. Finding that time to write a great song still seems to be the challenge. One step forward, two steps back.

— Mike, August 2007

—–

Past EP’s

July 2007 EP: Hello Come In, ‘The Rundown’

Hello Come In's July EP, The Rundown

July has come and gone, so it’s about time we pop out another one of these mini EPs. We’ve decided to call this first-of-the-second-half EP The Rundown.

It’s a typical month for us, no special rules or stipulations like the past couple EPs. We think the tunes turned out great, but judge for yourself the lonesome cowboy wanderings of Aryn, the social laments of Mike, and the minimalist folk of myself. We’re still working towards meeting our ideal level of collaboration, but we’re making recordings and building up the library, which is the important part in our minds.

It’s time. Stop everything you’re doing and peruse The Rundown. Or right click here to DOWNLOAD entire album.

Or check the podcast. Or be 21st century at MySpace. And most important… leave comments on the blog or via email at [email protected]. Cheers!

Tracklist:

1. The Imitators (Katzif)
2. Sequel Pending (Crowley)
3. Following Payment (Johnson)

—–

Last week I woke up to the bitter taste of orange juice and toothpaste. I mean I was awake, but not really fully there I suppose so that biting acidity was a welcome catalyst to stir the summer lethargy of the morning. On sweltering hot days like we’ve been having, everything just seems to drag to a slow crawl. And as we get deeper into these summer months, it can be hard to find much ambition aside from aspiring lounge in the air conditioned bliss.

On this particular morning I was in a half daze, thinking of, unsurprisingly, music. More specifically, my own music. More specifically, why I could not write a chorus to a song. A song I had been nursing for a few months.

Writing lyrics is still fairly new to me so it can be a constant battle of writing and rewriting and overthinking the whole process. And for me, creating a sturdy and memorable chorus is by far the hardest part. Put it this way: if writing verses is like climbing to base camp of Mt. Everest (a mere 5400m, or 17600ft for those who would like to know), then writing a refrain is like summiting. Without oxygen. Sometimes I think I need a songwriting sherpa.

There is something about that repeated stanza and finding the right mixture of melodic hooks and memorable words that can be nearly impossible. I’m not sure if others have the same problem, but man it can be a struggle. This particular song was giving me more trouble than normal. After many aborted attempts, I had nearly given up. That is until I drank some orange juice after brushing my teeth. It was then that a melody popped into my head that I thought would work.

After that it somehow just came together. I cannot explain it really, and I certainly don’t attribute that vile taste to giving me a sudden moment of clarity. But sometimes when that song is pretty much a lost cause, I’ll take inspiration from anywhere I can get it.

— Mike, July 2007

—–

Past EP’s

hello.music — following payment

hello.music
Umm… Can you believe this is the most productive thing I’ve produced in a month?

Following Payment

[audio:https://hellocomein.com/soundbox/hellomusic_greg/following payment.mp3]

UPDATE 07/31/07: Here’s roughly what I’m thinking for a melody. I plan to add back in the general textures and sounds from the first version, but I wanted to strip it down to develop a melody. I did this without a metronome or anything, so this is just a scratch track… Any thoughts?

Following Payment v2
[audio:https://hellocomein.com/soundbox/hellomusic_greg/following_payment_melody.mp3]

hello.music — oxygen 1.5

hello.music Here’s my start of a reworking of Aryn’s Oxygen 1.5. I still have a ways to go here, but wanted to share from the beginning. My main goal here is to add some sort of vocal and to have a little bit more of a cohesive song structure. Clearly I have neither of these currently, but it’s all in my head- promise! Planning on finishing this up tommorow in time for the June release (late again!).

Aryn’s Original Oxygen 1.5

[audio:https://hellocomein.com/ep/januaryEP/Temporary_Setback/05_Oxygen_1.5.mp3]

Greg’s first take of Oxygen 1.5

[audio:https://hellocomein.com/soundbox/hellomusic_greg/oxygen1.5.mp3]

hello.music — june ep informations

This month of hello.music is dedicated to the cover. To keep the creative juices flowing, we’re changing it up again for the June EP. This month we each have to cover a few tracks written by the other two gents. How different will a song sound when someone else does it? Is a cover better if it stays true to the original or when it makes drastic changes? Find out those answers and more at the end of this month!

I shall start things off with a cover of a Michael Katzif song. First, listen to the original.,

[audio:https://hellocomein.com/ep/februaryEP/CloudedSpaces/01_LookOut.mp3]

…and then take a peek at my cover of Look Out.

[audio:https://hellocomein.com/soundbox/hellomusic_greg/Look%20Out%20%28Acoustic%20Version%29.mp3]

Tonight, I really wanted to just sit and play guitar to relax from the daily grind- didn’t even want to mess with a metronome track. Nothing too special, but it is quite a bit different from the original. Enjoy!