April 2007 EP : Ancient Telephones

Ancient TelephonesWell, we are a little behind for April’s EP, but mostly because we gathered in Chicago this past weekend to do some playing. In person! GASP! We have come up with a plan and a challenge for the May EP, but details of that will come shortly as we finalize our ideas. In the meantime, we are increasingly growing more excited about the project. Amazing to think we are in month four and starting month five.

For April, we’re proud to present our three song EP, Ancient Telephones. I think it goes without saying that our efforts are maturing and growing more ambitious (for better or worse is up to all of us to decide once we get some distance from it). But with that confidence we have also started expanding our sound: Check out the subtle drone of Greg’s harmonium, Aryn’s whistling mastery and maybe even my distorted vocals.

So without further ado, check out the album here, listen to our podcast here, and feel free to comment right here on our blog or write to us at aprilEP@hellocomein.com. Enjoy!

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Past EP’s

Temporary Setback :: January 2007
Clouded Spaces, Falling Skies :: February 2007
First Pull Up, Second Pull Down, Third Take Away :: March 2007
Ancient Telephones :: April 2007
The Cavalry Arrived Again :: May 2007
Designed In Anticipation Of His Centennial Years :: June 2007
The Rundown :: July 2007
The Ninth Great Fire :: August 2007
Empty Bottles And Dog-Eared Books :: September 2007
I Can Fix Things In The Morning :: October 2007
We Are Full Of Useful Noise :: November 2007
The Last Duel :: December 2007

Professional Musician Suicide…or Spreading of Music without RIAA? YOU DECIDE!

records.Came across this article today (via Wired’s Listening Post blog), written by a professional musician who put his recordings on his site for free. This was not so much a grab for press but perhaps just a way to make his music more readily available without having to work within the system of the record companies.
Some call this musician suicide in the professional sense by giving away their livelihood, but really, very few musicians make much on record sales, even if it sells well. He says:

Record companies used to charge a fee for making it possible for people to listen to recorded music. Now their main function is to prohibit people from listening to music unless they pay off these corporations.

Or to put it slightly differently, they used to provide you with the tools you needed to hear recorded music. Now they charge you for permission to use tools you already have, that they did not provide, that in fact you paid someone else for. Really what they are doing is imposing a “listening tax.”

We have been doing the same thing here at on our site every month for our EP series and also showing behind the scenes looks at early versions. In some ways it is much more rewarding to just get the music out to people who want to hear it rather than wait for the time to release an ‘official’ album, which in reality could be years.

In fact the idea of ‘official’ album carries little weight anymore as anyone with a laptop and cheap mic, or a video camera can make music or little short films or whatever and put it up for the world to see. Its part of that whole ‘You-ser” created generation we’re in.

So is what we are doing here career suicide? If we have eventual aspirations to be musicians for a living, does offering music for free hurt our chances. Does offering music for free, somehow make our music illegitimate? I would like to think most would answer with a resounding no. Even if few ever download our songs, does any of that really matter anyway? Aren’t we in a way doing it for ourselves; for the enjoyment of it all?

By the way, stay tuned in the next few days for our April EP release… not coming to a store near you, but rather here on our site for the easily digestible price of FREE. We must be crazy.

hello.music – Home Recording

hello.musicOK, so I’m working on combining these two into one song (Sorry Mike, didnt quite make it to your song tonight). The single note guitar thing I posted earlier reminded me too much of the guitar line from Wolf Like Me, so I am pushing aside for now. The other little bit I twisted into this.

[audio:https://hellocomein.com/soundbox/hellomusic_greg/home recording.mp3]

Thoughts on this direction and melody?

Save Net Radio

Net Radio

It looks like at this point the increased royalties rates for songs on the web is a done deal, with all appeals by webcasters (and led by NPR and Yahoo!) having been shot down. The implications are grim as this could all but shut down countless sites who will not be able to afford the hiked prices.

Obviously the Copyright Royalty Board have a clear misunderstanding of web radio and music on the internet, but since the RIAA is already cracking down on piracy, file sharing and not paying artists their due, why not make it even harder to find quality music?

I’m not sure how much these online petitions ever really help, but for those looking to show support for internet radio make sure you check out savenetradio.org. For more details go to Wired’s Listening Post. What do you think? Let us know here or at netradio@hellocomein.com

hello.music — King Hippo

hello.musicI exported the song tonight to Live and added the extra space I wanted in between the first chorus and the third verse. Did a bit of primary mixing and panning and some volume editing to add a bit of shape to the song. I also pulled back the twinkly music box guitar until I can retrack it with more clarity.

Here is version 1b of “King Hippo.”

[audio:https://hellocomein.com/soundbox/hellomusic_mike/KingHippo_v1b.mp3]

Things I still need to do:

1) retrack vocals to be more clearly defined melodically, the chorus catchier sounding and still in tune while still maintaining the spirit of the cracked grittiness. it would be nice to have a female vocal line here harmonizing.

2) retrack a bit of the music box guitar trying not to overuse. slide guitar also?

3) add some pianos and keyboards and general fullness to the song’s instrumentation

4) perhaps some drums from Greg? some bass from Aryn? perhaps some other instrumentation I am not thinking of here?

5) anything else besides general mixing and mastering of the overall sound? that distorted peak in the middle could use some better orchestrating.

UPDATE 4\24: Made some changes. You will notice that I pulled the vocals out for now since I plan on retracking. Also added some drones of synths and organs here but I might pull those back down in the mix as they seem a bit too hot.

Thoughts on version 2?

[audio:https://hellocomein.com/soundbox/hellomusic_mike/KingHippo_v2_novox.mp3]

Newish old things that are new to me: Look Around You

I love stumbling onto brilliant things that I never knew existed. Yesterday during my daily internet trolling session, I ran into this series of videos that resembled the old 80’s school instructional videos I remember as a student. They have that style down to the “T” and the complete and utter missinformation that they are basing this science on is fantastic. So to relate to music we can start with Synthesizer Patel:

[youtube]6cv1_Bw_sBo[/youtube]

And another favorite on video games:

[youtube]cBcrTucxiRc[/youtube]

I absolutely love the synth interludes they use, the terrible experiments, and the delivery. If you look closely you can see some of your favorite comedic actors, i.e. , and from “Shaun of the Dead” and (the first two) from the awesome fake trailer “Don’t” from the recent Rodriguez/Tarantino release “Grindhouse”. Also is Olivia Colman who made a brief appearance on the UK version of The Office.

Enjoy!

UPDATE: I just found the entire music episode, check it out here:

NPR Song Of The Day: Blonde Redhead, ‘Dr. Strangeluv’

Blonde Redhead's 23 is out now.
Blonde Redhead’s 23 is out now.

Wrote a short piece on Blonde Redhead’s new song “Dr. Strangeluv” from its new album 23 for NPR’s Song of the Day. Listen to the song here.

Continue reading NPR Song Of The Day: Blonde Redhead, ‘Dr. Strangeluv’

hello.music – home recording

hello.musicWell, Ive been absent the past few weeks mainly due to moving, but mostly due to being unmotivated. I think it’s starting to creep back into me, so I shall post here to get back into the habit. It’s nice to be settling down after the move, so I’m looking forward to doing more recording in the evenings. I probably won’t take either of these too much farther, but here they are regardless!

home recording 1

[audio:https://hellocomein.com/soundbox/hellomusic_greg/home_recording_1.mp3]

home recording 2

[audio:https://hellocomein.com/soundbox/hellomusic_greg/home_recording_2.mp3]

hello.music — King Hippo

hello.musicSo I have had no time in the last two weeks or so for any music. So this effort here is something I sort of crapped out last night and part of today. It needs some major work to the vocals (ie refining the melody and phrasing and harmony), the structure (adding space between chorus and verses), instrumentation (need some other instruments like real drums, bass, keys, etc), and overall volume editing, mixing and mastering have not even happened at all. I have some work ahead of me to add sections to the guitars and such without interrupting the flow and spontaneity of the song. Yay.

However there might be some potential to this little dark ditty. I like it because I have been wanting to play with recording my microphone through my distortion pedal for some time and I really like how it came out. Sort of gritty and overdriven sounding. Reminds me of Tom Waits or Sparklehorse for sure. Not sure what the words mean but it reminds me of one of those dark murder ballads told by some drunken outlaw anti-hero. You know, just like me. hmmm…..

King Hippo” version 1a.

[audio:https://hellocomein.com/soundbox/hellomusic_mike/KingHippo_v1a.mp3]

Thoughts?